Interview with Darren Joy, author of the epic, dark fantasy book A Viral Imperium

Swords with Souls (fantasy fiction) B36

Fantasy Fiction

Two Days Late So Far…B35

Fantasy Fiction

Songs and Speech P2

Song and Speech

(author of BARD: Bearer of the Gemstone)

(NWHealth.Fitness)

Song and Speech (part one)

Swords with Souls: Two Days Late So Far… B34

Fantasy Fiction

Swords with Souls: Two Days Late So Far… B33

Fantasy Fiction

Two Days Late So Far… B32

Two Days Late So Far…

(Swords with Souls)

Fantasy Fiction

By Dan Watt

(Author of BARD: Bearer of the Gemstone)

Cover by Darren Joy

(Author of the Plagueborn series)

– Adult content –

As he got older and was able to handle a sword, he started to remember some of the lessons his father taught him about heat and different metals. The bronze swords they were given were heavy on the wrist and all exactly the same dimensions. So, he used two rocks, one as a chisel, and the other as a hammer to create a fuller in the blade. He also wrapped the grip with vine to make it a bit thicker and used sap to keep it from unraveling. The older orphan teaching him how to wield a sword, was furious and showed Lord Idris. What Lord Idris did in reply was the reason so many students adored him. ‘Why did you do this Egbert?’ he asked while inspecting the fuller of the sword.

‘It was too heavy, Lord,’ he replied, tensing his muscles to take the cuff or whatever punishment would be meted out.

‘And the grip?’

‘Too loose,’ he replied.

 ‘Let’s see you wield it.’

Egbert, as he was known then, did excellent thrusts, slashes, and parlays, just as he had been taught.

‘Let me have your sword. Now do the same with someone else’s.’ Lord Idris pointed to a student to give Egbert his sword.

Egbert hated the feel of the other sword but did his best but the movements were choppy.

‘I will see if I can get one of the armies weapon makers to come here for a time, and teach you how to make different sized swords.” Lord Idris said then handed him back his sword.

That was the day he became Lord Idris’s boy, as the others called him. But there snickering was misguided. They should have called him Lord Idris’s apprentice. He was no one’s boy and Lord Idris never tried to treat him as so.

Recommended listening

caedar-writing-artwork.com

BARD: A multi-decade journey

I’ve always been a poet. So it made sense when I decided to write a book, originally based on Dungeons and Dragons and nature, as suggested to to me by one of my brothers, that it be about a young man becoming a BARD.

When I asked if I could use D&D characters, I was told no. Undeterred, I reworked the story and removed anything that might be originally D&D. However, the main theme has always remained the same. A boy saves a girl who gives him a necklace with a gemstone that will lead him on a journey to find her when they are older. There’s much more to the story but that’s what the book is for.

Concept art for the original cover

We even tried to make a movie of the original version in the 80’s using a friend of the family, Dave Smith’s camcorder. Originally, George Lamprecht was to play the main character, we also had I believe, Graham Schneider, my grandfather, our neighbor then, Sam, and others play parts while my brother Andrew did the filming and directing. Unfortunately, we had a party and someone stole the large sheet of paper with everyone’s contact information. By the end of the summer, I realized, I had no idea how to make a movie. So at the beginning of the new school year I apologized to our very efficient and professional makeup artist, Rhonda Edgar.

As the years went by I kept expanding the story. Using my constantly upgraded knowledge to make a fantasy world seem more real.

The blacksmithing is as close as I can get it to being realistically medieval. And I have tried to stay true to the BARDs of yesterday and today. However, it is still a fiction book, and like historical fiction, liberties have been taken to keep the story flowing.

BARD started in high school, and I wanted to keep the main character’s perspective and attitude the same as one of that age. Bran is naive, hardworking, and observant. This is a coming of age story, a love story, a social commentary story, and a story about possible war.

The closest I’ve come to seeing someone who could pull off playing Bran is Brendan Fraser in School Ties.

Other characters were taken from real individuals as I wrote BARD. Master Kadar is based off of Mr. Brown (Gary) my high school gym teacher and junior football coach. I still haven’t figured out why he asked me to play considering he nicknamed me stone hands. R.I.P. Two people came to mind when I was writing Master Renell. The first was Robin Williams (see Dead Poets Society) R.I.P. or Bono of U2. When I saw the Australian cosplayer Nic the Pixie on FB, I immediately thought, that’s the Owner of the Gemstone. Without much hope, I contacted her. She agreed, and after a two year journey in which much of Australia burned, she got injured, and faced other obstacles, she sent wonderful pictures.

Original cover of BARD: Owner of the Gemstone portrayed by Nic the Pixie, background by Alex Watt, fonts and border by Ian Greener

Lyrics repeat and don’t always make sense until you hear them sung. I did my best to write lyrical poetry to represents songs. Poets will see them, others might skim over them.

As the book expanded it became impossible to write a realistic synopsis. Rowena Samuel, a friend, who read through the original said it needed to be split into two books. I followed her advice.

The first book is BARD: Bearer of the Gemstone. Fantasy_art_z.com, an artist I have been following for some time, created two covers. She is quite a remarkable talent, so with some alterations I may use the other cover for a different project. However, this is the cover have I decided to go with.

BARD: Bearer of the Gemstone is available on Amazon

Swords without Souls: Two Days Late So Far… B31

Two Days Late So Far…

(Swords with Souls)

Fantasy Fiction

By Dan Watt

Author of BARD: Bearer of the Gemstone

Cover by Darren Joy

(Adult content)

Naked, he enters his stone and mortar house with its sod roof and pulls a pewter mug off a bronze hook he made himself and a pinch of dried mint from a clay pot. The mint and other dried herbs he traded for with a farmer who wanted a small bronze shovel. He grabs a wool blanket and throws it around his shoulders before walking to the river and carefully filling up the cup in the tributary. He places the filled cup near the fire before sitting nearby, huddling inside the blanket.

He was orphaned as a young child when his father, a metallurgist, and mother, a weaver, died of the first plague. So many children were taken to the Buttigieg Gardenery that there was hardly food or space enough for all the newcomers. That’s when he came into contact with Lord Idris. Average height, with a stalky build, and sharp grey eyes, partially covered with a thick bang of dirty blond hair, Lord Idris looked like something chiseled out of granite. And his voice, soft and silky as a trader’s when he spoke alone, and as loud and powerful as the roar of a waterfall in spring when he commanded. No one but his brother and some of the other nobles disliked Lord Idris.

Back then he was called Egbert of Buttigieg Gardenery. The surname was given to all the orphans. His days started with a breakfast of oats and goat’s milk before dawn. He stretched and did warm-ups followed by wrestling and knife practice in a group until the sun was at its highest. Next, he learned letters and numbers until supper. Then he helped clean dishes, wash sheets, followed by a bitterly cold sponge bath in the river Massika. After that he slept in a cot with two other orphan children. At eleven he was given his own cot. Under the guidance of Lord Idris, older orphans taught the wrestling and fighting. And under the guidance of Lord Ysbail, older female orphans taught numbers and letters. He enjoyed and excelled at both.

Someone to follow: https://www.youtube.com/watch?v=nht6LjdUnLk&list=RDnht6LjdUnLk&index=1

Caedar-writing-artwork.com