Swords with Souls
A Medieval Fantasy Fiction Story
(Adult Content)
By Dan Watt
(Author of BARD series)

(Author of the Plagueborn series)

The Sword Maker’s Shop
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Her heart beats rapidly and she clenches her hands as he sets the bundle on a ledge cut out of the back wall.
“Let’s go to the shop,” he says in a grumpy tone.
Beside the abode is a canvas tarped shed with a sloping roof. The Sword Maker lifts up the shop’s moveable roof and uses a tall branch to hold it up. Under the roof are items covered in tarps that smell of linseed oil. He pulls off a few of the tarps. Underneath is a ceramic mold with a sword sitting inside. “I have the sword ready; we just need to add your contents. But first explain to me the entire process than I’ll get going. I have an order form Sir Olaf to work on,” he continues sarcastically, “meaning my time is limited.”
“I understand,” she manages to say. “I have a liquid to pour into the fuller.” She hopes he doesn’t guess what it actually is. “Next, while bells are rung, I need to blow–.” She can’t say a soul. “a special air onto the fuller before the liquid dries. And–.”
“Why the bells?” she hears him ask.
“They create a particular soundwave,” she replies. Her sister explained the process to her but she still doesn’t understand. Gwen is definitely the alchemist of the family.
She sees him shake his head and shrug. “What next?” he asks.
“A piece of quartz with iron inside needs to be placed in the pommel.”
She watches intently as he strokes his chin and seems to stare somewhere else.
“Let’s get started,” he finally says.
She watches him start a fire inside a stone and mortar oven. After a while, he takes the clay casting containing the sword out of a rectangular box and slides it onto a grill made of granite sections. Everyone, including herself keeps still and silent as the Sword Maker pokes at the fire while watching the sword. She lets out a breath when he uses thick mittens made of cotton to pull the cast out and place it on a nearby rock with a flat top.
“Quartz,” he says with more of a command in his voice than request.
She turns the tiny bag until she can feel the quartz at the mouth. Diligently she squeezes it out and hands the stone to him.
Using prongs, he gently pushes the stone into the pommel of the sword. He reheats the cast inside the oven again. A short time later he removes it again.
“The rest of this procedure is up to you,” he says gruffly and stands back with his arms crossed over his chest.
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